The Paradox of Theseus: Science Fantasy Story

Fantasy character designs of three people and a mechanical bird
Lowkey, Adam, Azar, and Eula, 2023, 17x11in, Digital Illustration
Fantasy character designs of a cyborg, alien, and two elves
King Aranuir, Queen Loriel, Theseus and Astraeus, 2023, 17x11, Digital Illustration
Image of a cyborg and alien limping from a crashed ship
Crash Landing, 2022, 17x11, Digital Illustration
Theseus and Astraeus walking through a market place
Alien Invaders, 2023, 17x11, Digital Illustration
Theseus and Astraeus are in a bar
A Cyborg and Alien Walk Into a Bar, 2023, 17x11, Digital Illustration
A gnome performs surgery on Theseus the cyborg
Exploratory Surgery, 2023, 17x11, Digital Illustration
A woman with horns and a gnome create a golden robot
Creating Adam 1.0, 2023, 11inx11in, Digital Illustration
Theseus and Astraeus ride a horse away from a monster
Robot Chase, 2023, 17x11, 2023
A serene fantasy cottage
Low-key CLockworks, 2023, 17x11, Digital Illustration
Workshop interior
Workshop Interior, 2023, 17x11, Digital Illustration
Elven king
Fall King Aranuir, 2023, 11x17, Digital Illustration
Theseus and Astraeus walking through a battlefield
Graveyard Tandre, 2023, 17x11, Digital Illustration
Theseus in golden armor
Theseus in Golden Armor
A bleeding man ascending
Organic Transcendence, 2023, 11x11, Digital Illustration

 

Renee’s visual development portfolio combines traditional fantasy art and science fiction aesthetics. Her diverse approach to character design and narrative illustration broadens the scope of her audience, inviting them to enjoy a classic fantasy adventure with science-fiction story conventions. Renee’s illustrations have an overarching narrative that focuses on a cyborg’s experience, exploring the inner machinations of one’s mind and the challenges one must overcome to reach their final destination. A collection of science fiction, speculative biology, and classic Tolkien fantasy inspires the structure of Renee’s work. In addition, she bases her philosophy on religion, the human condition, and the Paradox of The Ship of Theseus. Above all, her work is rooted in the importance of friendship and personal growth through adversity.

The visual narratives she creates are inspired by Mike Mignola’s Hellboy, BlindSight by Peter Watts, and Humanity Lost by Callum Diggle. In addition, her aesthetic inspirations are based on the likeness of Even Amundson and Jesper Ejsing, fantasy artists that continue to inspire the artist’s technique as she progresses her portfolio. By studying the industry of science fantasy artists, Renee creates work that appeals to a broader audience that invites fantasy and science fiction fans to explore the worlds she cultivates in her illustrations.   

Renee’s work captivates viewers with bold colors and invites them to view the story and think about the connections of technology, the human condition, and personal reflection. The science fantasy visual development portfolio begins her ever-growing world that will continue into her career as an illustrator. In the future, she aspires to join a creative team that aids in developing more extraordinary projects for publication and media. She plans to publish her portfolio into a world-building project that could branch into intricate storylines yet to be explored. In the meantime, her work explores the fantastic across genres. It aims to invoke emotion in her viewers by exploring the stylistically rendered world of her portfolio and the underlying philosophies behind each character she creates. The portfolio accomplishes to show the exponential growth of the artist throughout its development and the potential she has in the industry.

 

 

Contact

rramos8@njcu.edu

reneea.ramos@gmail.com

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